Baekhaeyong

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works record the movement of the hand on paper. Lines are drawn straight, rapidly, curved, repeated, or overlapped without following a fixed form or composition. Differences in direction, speed, pressure, and spacing remain as traces of each moment of drawing.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works record the movement of the hand on paper. Lines are drawn straight, rapidly, curved, repeated, or overlapped without following a fixed form or composition. Differences in direction, speed, pressure, and spacing remain as traces of each moment of drawing.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2026 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2026 Pencil on paper 34.5 × 24.8 cm

These works document various forms of lines drawn in pencil on paper. They include straight and curved lines, short and extended lines, quickly drawn lines, and lines that are repeated or overlapped. Each work is structured differently according to the direction, length, speed, pressure, repetition, and degree of overlap of the lines. Rather than depicting a finished form, these are records produced through studies, line exercises, sketches, and other stages of the working process.

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.

2026년 친동생 백정룡의 사돈집안 주방에 전시

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2024 Pencil on paper 25 × 15 cm

Record of the form

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

Lines and margins are not a description of something, but the minimal traces that reveal the point of balance in that moment. Passing through a single state, they repeatedly expand and contract, mix and separate. By not forcefully pushing meaning, they leave space.
Acrylic on Paper 54.5 x 78.8cm

Untitled, 2025 Pencil on paper 34.5 × 24.8 cm

This work records the movements of the moment using smoke as a medium. It is composed of traces of practice, line drawing, and sketches. It is for people who pass through this space.

Untitled, 2024 Pencil on paper 34.5 × 24.8 cm

This work records the movements of the moment using smoke as a medium. It is composed of traces of practice, line drawing, and sketches. It is for people who pass through this space.

Untitled, 2024 Pencil on paper 34.5 × 24.8 cm

This work records the movements of the moment using smoke as a medium. It is composed of traces of practice, line drawing, and sketches. It is for people who pass through this space.

Untitled, 2024 Pencil on paper 34.5 × 24.8 cm

This work records the movements of the moment using smoke as a medium. It is composed of traces of practice, line drawing, and sketches. It is for people who pass through this space.

Untitled, 2024 Pencil on paper 34.5 × 24.8 cm

This work records the movements of the moment using smoke as a medium. It is composed of traces of practice, line drawing, and sketches. It is for people who pass through this space.

Untitled, 2024 Pencil on paper 34.5 × 24.8 cm

This work records the movements of the moment using smoke as a medium. It is composed of traces of practice, line drawing, and sketches. It is for people who pass through this space.

Untitled, 2024 Pencil on paper 34.5 × 24.8 cm

This work records the movements of the moment using smoke as a medium. It is composed of traces of practice, line drawing, and sketches. It is for people who pass through this space.

Untitled, 2024 Pencil on paper 34.5 × 24.8 cm

This work records the movements of the moment using smoke as a medium. It is composed of traces of practice, line drawing, and sketches. It is for people who pass through this space.

Untitled, 2024 Pencil on paper 34.5 × 24.8 cm

This work records the movements of the moment using smoke as a medium. It is composed of traces of practice, line drawing, and sketches. It is for people who pass through this space.

Untitled, 2024 Pencil on paper 34.5 × 24.8 cm

This work records the movements of the moment using smoke as a medium. It is composed of traces of practice, line drawing, and sketches. It is for people who pass through this space.